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	<title>Comments on: Picture Book and Review: Grimes, Elite Gymnastics, and Myths @ The Basement at Graveyard, October 1st</title>
	<atom:link href="http://www.atlantamusicguide.com/2012/10/03/picture-book-and-review-grimes-elite-gymnastics-and-myths-the-basement-at-graveyard-october-1st/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.atlantamusicguide.com/2012/10/03/picture-book-and-review-grimes-elite-gymnastics-and-myths-the-basement-at-graveyard-october-1st/</link>
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		<title>By: Matt</title>
		<link>http://www.atlantamusicguide.com/2012/10/03/picture-book-and-review-grimes-elite-gymnastics-and-myths-the-basement-at-graveyard-october-1st/comment-page-1/#comment-13479</link>
		<dc:creator>Matt</dc:creator>
		<pubDate>Wed, 03 Oct 2012 21:56:12 +0000</pubDate>
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		<description><![CDATA[Thanks for the review. I saw the show the next evening in Birmingham, and my perspective is a bit different. I&#039;ll skip the first two acts, as they were more or less like watching kids play with a computer and microphone. 

Grimes makes very interesting music. Live? It&#039;s obviously still a challenge. This is DJ territory, with little of the on stage theatrics many of those can afford. I suspect she lip-synched a fair portion of the show, as there was a very notable difference in the vocals at times. The crowd reacted to her fairly simple push-button beats. Grimes is a compelling talent, but outside of her current indie flavor of the month appeal, she hasn&#039;t yet created a strong live presence. If the ticket had been a bit more expensive, I&#039;d have felt cheated a bit. 

I think it&#039;s an interesting discussion, this new live frontier. Increasingly the club and small venue circuit is being populated with one or two person laptop jockeys. How do you make a compelling show out of that? What I saw in Birmingham was happy drunks hopping around to a beat. Pressing down a key on a synth in your local guitar center might produce a similar effect with enough available liquor. I think Grimes is going to have to up her game if she continues to tour, because the it factor will wear off.]]></description>
		<content:encoded><![CDATA[<p>Thanks for the review. I saw the show the next evening in Birmingham, and my perspective is a bit different. I&#8217;ll skip the first two acts, as they were more or less like watching kids play with a computer and microphone. </p>
<p>Grimes makes very interesting music. Live? It&#8217;s obviously still a challenge. This is DJ territory, with little of the on stage theatrics many of those can afford. I suspect she lip-synched a fair portion of the show, as there was a very notable difference in the vocals at times. The crowd reacted to her fairly simple push-button beats. Grimes is a compelling talent, but outside of her current indie flavor of the month appeal, she hasn&#8217;t yet created a strong live presence. If the ticket had been a bit more expensive, I&#8217;d have felt cheated a bit. </p>
<p>I think it&#8217;s an interesting discussion, this new live frontier. Increasingly the club and small venue circuit is being populated with one or two person laptop jockeys. How do you make a compelling show out of that? What I saw in Birmingham was happy drunks hopping around to a beat. Pressing down a key on a synth in your local guitar center might produce a similar effect with enough available liquor. I think Grimes is going to have to up her game if she continues to tour, because the it factor will wear off.</p>
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