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Y-O-U Explain – or Confuse – Fans with New Video for PleaseRock the Yacht Event

June 25, 2009 Interviews No Comments

By now you should know about the awesome event coming up next week that is PleaseRock the Yacht, where Y-O-U will be bombarding fans with all their brilliant aliases, complete with videos of comedy skits, new music, competitions and free food and drink. To explain – or just beguile further – the guys have done a special "Awkward Interview" with Mixtape Atlanta, shown above. Watch the video, have a giggle, get confused and RSVP for the event HERE.

Q&A with Michael Glabicki of Rusted Root, Playing Midsummer Music Fest Saturday, June 20

June 16, 2009 Interviews No Comments

Rustedroot By Al Kaufman

Sometimes a recession is a good thing. Take this year’s Midsummer Music Fest, sponsored by AM sports radio 790 The Zone. While last year’s event, which featured Drivin’ n’ Cryin’ and Blues Traveler, put people back anywhere from $10-$20 per ticket, this year’s festival, featuring Rusted Root and Guster, is free.

Held again in Candler Park, festivities begin at 10 a.m. with a 5K road race. In addition to concerts throughout the day, there will also be Kids' Zone, Artist Market, and Green Area.

But it’s the music that most people come for. Sol Junkies, Sonia Leigh and Jupiter Coyote are a few of the bands supporting Guster and Rusted Root, two bands with rabid followings. For Rusted Root, whose new CD, Stereo Rodeo, is their first release in seven years, fans have held on since their catchy jam-single “Send Me On My Way” from 1994’s When I Woke. Atlanta Music Guide caught up with Rusted Root’s founder, guitarist and lead vocalist, Michael Glabicki, and he talked about the new album, why it took so long to make it, how he feels about the label “jam band,” and how the band stays in shape on the road.

Why did it take seven years for the new album?

I think we just needed a break to start out with. And then we were off doing solo projects for a while. And in the meantime also we were doing a live record and we were still touring a lot. We were still keeping busy. I think it was very necessary. I think it was time to take a break. But we’re very geared up now, though, creatively, and we’re ready to try to get an album out next year around this time. We’re already working on it, and our creative juices are flowing. We hope to be busy for the next 10 years and keep putting out records.

There are a lot of bands that hate that make an album, tour, make an album, tour procedure. Is that where you guys were?

Yeah. We’re really blessed that we can take that time off, come back, and still have our fan base there.

Was there any fear about that?

There really wasn’t because we were keeping our live shows fresh, and the live CD really tied us over.

A lot of the songs on the new CD seemed to have come together after playing live. You wrote them a long time ago, then after playing them live you really fleshed them out. How long does it take you to get a song from beginning to end?

It can be anywhere from a couple of months to three years. There’s a song called “Grace” on the record that was written about a month before going and recording it, and then the song “Stereo Rodeo” was actually written seven years ago. Then “Driving” we came up with on tour. That was about eight months before going into the studio with it. We wrote that at a sound check, so they just pop up everywhere. We’ve got a lot of material already happening now, so I think what was normal in the past is not going to be normal in the future.

… Continue Reading

Q&A with Cris Kirkwood of Meat Puppets — Playing The EARL June 16

May 28, 2009 Gigs, Interviews No Comments

Meatpuppets By Samantha Parvin

Meat
Puppets, a band that has been around for nearly three decades and has
experimented with most all musical genres under the sun, has just released yet
another album, Sewn Together.
Brothers Cris (bass) and Curt (vocals, lead guitar) Kirkwood, along with
drummer Ted Marcus, began a tour to support the album on May 12 in Los Angeles
and will end in Austin on July 9. Cris
caught up with AMG to talk about the album and the show on June 16 at East
Atlanta’s The EARL.  

Tell
us about the new record,
Sewn Together. Artistically, what did you want to accomplish on this album that is
different from your previous albums?

On
previous we were trying to keep from giving each other crabs. Now we’re trying to give each other crabs. We’ve kind of laid off getting offensive and
have grown close to our own.

You
and your brother, Curt, are back together again for the first time in several
years. What do you think your reunion
and the addition of drummer Ted Marcus will create on this tour? Do you see a vibe or tone forming yet for the
tour?

Curt
and I met Ted during last record in 2006. We noticed something right away. Whatever the fuck it is, we noticed it right away. The faint stink of doo-doo that Curt and I
do, just the two of us together again – we’re family, and we’ve been so
astranged – and that was because of me. One thing I feel is that we’ve done it so long, we’re almost able to
“ape” my heroes and I can almost tolerate what I do – almost. 

What have the shows been like
thus far on the tour, and what can we expect from the June 16 show
at The EARL?

Disappointment, alienation,
you know, the stench of desperation. 

… Continue Reading

Q&A with Simon Illa for Mind for Music @ Velvet Underground, May 29

MindForMusicBy Noel Wurst

On May 29 at Hard Rock Café’s Velvet
Underground, Atlanta’s
own Leslie Fram is hosting a benefit for the Unbreakable Music Foundation (UMF), a
charitable organization set up to “raise
funds in order to put computer equipment and music software in schools for students
with physical challenges.”

Heralded
multi-musical genre producer Simon Illa started UMF and he beautifully
explains the inspiration behind it. "When
you break it down, music and its creation does not come from one's hands. It
all starts in the mind. And by giving young people, with physical challenges,
the technology to create and explore music, they are given an opportunity that
I did not have early in life."
Staff writer Noel Wurst recently had the opportunity to speak with
Simon, and to learn more about this organization, and his goals for it.

How long have you been living here in Atlanta?

About a year and a half.

How would you say the music scene here in Atlanta compares to that in your hometown of Philadelphia?

I’d say that Atlanta is fairly more active, just in that there’s more actual “industry” you
know?  There are more artists getting
signed down here. And even if an artist
isn’t actually from here, it seems like a lot of them are coming through
here. Also, what I really love about Atlanta is that
it really goes beyond hip-hop. I’ve
produced numerous genres of music, and that’s what I like. Philly was really, really great, Atlanta just has a larger
playing field right now, you know?

How long ago did you start the Unbreakable Music Foundation?

We actually just started it this year.  It was just an idea that I brought to Lanny
West [Leslie Fram's husband] over at Tipping Point Entertainment, and we kinda just ran with it and
it’s picking up really fast.

Is it just the two of you involved or is there anyone else that deserves
some recognition?

The foundation itself is me and Lanny and Eileen Tilson is
doing PR for us.  It’s pretty much a
small nucleus at this point.

Is the event at Velvet Underground at Hard Rock the
first benefit that you’ve had for the foundation, and are there plans for
events in future cities or even more here in Atlanta
?

Yeah, this is the first
one, and obviously we’d love to do more, to take it anywhere people would be
really into it.  The interesting thing is
that everything with it has evolved so fast that I haven’t even really thought
about it much, you know? We’re getting a
lot of really good response for this event, so I’m really looking forward to
it. I really want to see how it
goes. I know it’s going to be great, but
to see it happen and to then know how to make it even better, to be able to do
different things with it, to make it progress.

I’ve read a couple of interviews with you that said
you’d gotten to meet a couple of people in wheelchairs for instance, that you’d
been able to inspire – other people with physical disabilities or
conditions. I was curious whether you’d
ever been able to meet or work with anyone who also had your same condition,
osteogenesis imperfecta? It seems like
that would be amazing for someone with that condition, to meet someone else
with it who had been able to accomplish so much in their lives, as you have.

You know, I’ve met a
handful of people in the music industry who might have certain disabilities but
what’s interesting is what makes the foundation more relevant to me, is that a
guy like me, getting into this industry as far as I have, is really a
rarity.  And that goes for anyone.  Take an individual who’s so-called
“average.” Put them in the music
industry and see how far they go.
Combine that with my physical situation, and the chances of them
succeeding are even slimmer. This is the
point of the foundation. There are
probably young people who might be in my position, young kids who have an
affinity for music or composition and they can’t be in the school band, or
participate in similar activities.
That’s where the foundation really comes in. We want to put equipment in schools for those
kids. To learn music in middle and grade
school – the sky’s really the limit. So,
in a long story short, I
haven’t been
able to meet or work with anyone with my same condition and I want to make that
less of a rare thing.

Q&A with Kyle Gordon of Young Orchids – Playing Big Trouble In Little Five Points This Thursday!

YoungOrchids The band, performing before Clap Your Hands Say Yeah, outside Atlanta's Center Stage, March 20.

By Julia Reidy

Young Orchids is the latest musical brainchild of Kyle
Gordon, previously of Atlanta rockers The Booze, KillGordon and Ski Club. Though the group is new, these pros
aren’t as delicate as the name suggests. Along with Ski Club bandmate Michael
Kai, Gordon has put together a lineup of veterans to grow this project into a
powerhouse. Having already opened for Clap Your Hands Say Yeah outside the CW
Midtown Music Complex and graced the stage at 529, this Thursday, May 21, the
band plays its third Atlanta show since its inception under a year ago. We grilled Gordon on songwriting for
a new act, reputations and what it takes to make music blossom.

Q: So you guys have done this before. You’ve been the
primary songwriter for lots of projects. Have you approached writing for the
Young Orchids differently than you’ve approached writing for any of your other
bands?

A: No. When I write, I write for whatever project I’m with
at the time. My stuff isn’t so varied that it sounds like different artists.
I’m not writing a polka song and then a country song and then a rap song and
then a rock song. They’ve all got the same feel; they’re all pretty monotonous,
I don’t know [laughs]. Actually, Michael and I write the music together. I definitely
write a ton of music — I’m always writing, and I’ve got a lot of ideas I want to
see to fruition. Every song I write, I want to see come to life, and that means
whatever band I’m in at the time is going to be the unfortunate assholes that
have to learn it. [laughs]

… Continue Reading

Q&A with José Reyes, co-founder of Fringe

Fringefounders2

By Julia Reidy

Four times a season, several seemingly disparate creative ideas come together harmoniously in one venue: classical chamber music, electronica DJ-ing, visual art, short film, performance art and essay. It’s an idea new to Atlanta, and it’s one of the most interesting evenings $15 can buy. Co-founded and run by Fia and Dana Durrett and José and Nikolle Reyes, Fringe has enjoyed almost two complete seasons of events and a heap of critical acclaim to go along with them. We talked to José Reyes about the inception of the arts series and what enthralled attendees can expect when they experience the fourth and final performance of Fringe’s second season this Saturday, May 9. For more information, visit FringeAtlanta.org, and to buy tickets click here.

Q: How did you guys come up with this idea? What made you want to do it in the first place?

A: Well, we met some friends — Fia and Dana Durrett — and they were telling us about their love of chamber music. We didn’t really know anything about chamber music, so we got to start learning more about it. As we learned more about it and traveled and listened to it in other places, we just realized that there’s something really awesome about hearing it in a small venue, but we were missing a whole younger group of people — essentially the iPod generation, which is basically anyone who is interested in technology and new stuff, or even older stuff, but in a way that would be more meaningful to them. We thought, “They [Fia and Dana] love chamber music. We don’t know anything about chamber music, but we do know about art and what we might do for a show and what that might look like.” It took about a year for all that to germinate into actually having a concert.

… Continue Reading

Q&A with Gary Pfaff: Win a Show at Your House with Gary and his band The Hartwells

Gary Pfaff

By Scott Roberts

Atlanta singer/songwriter Gary Pfaff is a
busy man. In addition to nearly constant touring, Pfaff and his band The
Hartwells have also been working on a new CD slated for a fall release. Despite
his demanding schedule, Pfaff slowed down long enough to answer a few questions
about his upcoming show at Smith’s Olde Bar on May 16 where one lucky ticket
buyer (tickets available here) will win a free performance from Pfaff and his band at his or her
house.   

Q: Why
offer a free "living room" show?
A: We always try to do special ticket promotions for the Atlanta
shows.
Last time we let people who bought tickets in advance download our live album
for free. This time around my former manager, Brad, approached me with the idea
of giving away a living room show. I think it’s great.

… Continue Reading

Show Preview and Interview: Celebracion — A Benefit for Megan Lillie & Scott Nesbit at The EARL Tuesday, May 5 (Cinco de Mayo)

Cincoflier

By Scott Roberts

Perhaps
the most effective way to deal with an unfortunate situation is to figure out a
way to turn the adversity into a party! That’s exactly what Criminal Records’
Kerri Boles has done with the upcoming Celebracion benefit to be held at The
EARL on May 5.

 “This benefit is for Megan Lillie, a
former co-worker of ours here at Criminal,” explains Boles, “and her husband
Scott Nesbit. Scott just underwent an emergency eye surgery [hence the clever
subtitle Cinco de M.Eye.O on the
posters]. At the same time, Megan's mom was undergoing treatment for a massive
brain tumor.”

Boles continues, “Megan was out of work
for at least a month taking care of her mom, who suddenly passed away the same
weekend as Scott's surgery. Scott didn't have health insurance so now they are
stuck with this hospital bill and only one income, not to mention all the money
they spent on flying to

Connecticut to take care of Megan's mom.”

Thus Celebracion was born, a full-blown
event featuring music from local favorites Club Awesome, Anna Kramer & The
Lost Cause
, and Vegan Coke, along with an art auction, and tons of giveaways
from popular merchants such as The Local, The Brick Store, Alternative Apparel,
and, of course, Criminal Records.

We love Megan and Scott,” says rocker
Kramer, “so when we heard that they had fallen upon very hard times, naturally,
we were pleased that we could offer our musical services!”

Anything else we can add, Ms. Boles, to induce people to come down and
help support the cause? “Piñatas. There will
definitely be some piñatas.” And what “celebracion” would be complete without those?

Tickets
are $8 (available here) for Celebracion: A Benefit for Megan Lillie & Scott Nesbit at The
EARL Tuesday, May 5 at 8:30 p.m. If you’d like more info or would like to
donate, contact organizer Kerri Boles at kerri@criminal.com

Josh Rifkind of 500 Songs for Kids Talks to AMG – Tickets On Sale Now!

Josh-rifkind-2008-pour-sugar

Josh Rifkind is a busy man. And during the weeks following up to 500 Songs for Kids, as well as the intense 10 nights of the event itself, it can be a mix of heaven and hell.

"Honestly, it's so many bands and so many musicians that pretty much
it's an incredibly enjoyable nightmare every year," muses Rifkind. "It's a strange thing
where you really love doing it, but it keeps punching you in the
stomach. It's like a little kid continuously running up to you and
punching you somewhere being like, remember this, bam! I'm band number
411, whack! It's an endless stream of details and preparation."

And with a list of the 500 Most Passionate Songs of All Time, the work started well ahead of the event, with arguments over the songs that should be included, the order of the songs and who will be covering the songs.

… Continue Reading

Q&A with Sonia Leigh — She Could Play in Your Living Room!

March 11, 2009 Giveaways, Interviews No Comments


SoniaLeighcontest

By Scott Roberts

If you’re an Atlanta music fan, you probably already know
how sweet bluesy singer/songwriter Sonia Leigh sounds on CD (her latest, Angel On My Shoulder, was recorded live at Eddie’s Attic and
released about a year ago). You’ve likely also caught her rockin’ live show at
a local venue – your next chance will be this Saturday, March 14, at Smith’s
Olde Bar
– but how many of you can say you’ve experienced her musical prowess
live in your living room? Well, one lucky fan, and presumably most of his/her
friends, will be able to say just that as Leigh will appear at the home of a
random winner chosen from Ticket Alternative customers who buy a ticket to the
aforementioned Smith’s show right HERE. AMG asked Ms. Leigh what possessed her to undertake
such a venture.

AMG: Was it your idea to do this
“living room” show?

SL: Yes, it was. We did it once
before when we had the release party for Angel…,
but for some reason the winner never cashed in on it. I think it will be a
blast and I’m also hoping it will encourage more people to come to this show at
Smith’s since a portion of the ticket sales go to the Sean Costello Memorial
Fund for Bipolar Research, which is really close to my heart.

AMG: How does it work? Will the
winner get to pick the date and location?

SL: Yeah, as long as it’s basically
in the Atlanta area. And as far as the date, we’ll make it fit into our schedule. And by the
way, we’re planning on playing for an hour to an hour and a half, so hopefully
it will be worth it for the winner.

AMG: And will the winner be able to
influence your set list?

SL: Sure! As long as it’s something
I know how to play, I’ll play it!              

Sonia
Leigh at Smith’s Olde Bar, Saturday, March 14, 8 p.m. $12 Advance. Buy here for a chance to win a personal live show with
Sonia in your living room!

Q&A with Nick Niespodziani from Y-O-U

February 13, 2009 Interviews No Comments

Whether they realize it of not, music fans in Atlanta know a lot about Y-O-U. From the band's hair-metal persona's Limozeen (Strongbad's favorite band) to the Yacht Rock cover band the Yacht Rock Revue to "sandal rockers" Three Dog Stevens to the soulful Please Rock Revue to the original power pop of Y-O-U itself, the band makes its mark in a slew of different ways across this city. But with new recordings on the way, what is the band up to now? We sat down with Nick Niespodziani to see what we can expect when the band plays Team Luis' show on February 20 with Second Shift and others. And by the way, just in case you are not familiar with the band by some strange twist of fate, check out the masterpiece that is the video for "Moviekiss," remixed by Ben Allen, above.

 

 

AMG: You’ve been recording some new music recently, what direction is the band going in?

Nick: It’s sounding like a follow up to Flashlights, it’s more in that style, more down in that direction. We were power pop when we first started out and we’ve been migrating towards artsier pop the whole time, and I think this is definitely another step in that direction. We took a different approach to recording as well, working with Ben Allen [Gnarls Barkley, The Constellations], what he wanted to do was he wanted me to strum some songs on acoustic guitar, because I write all my songs just on acoustic guitar, kind of like country songs almost. And then however they turn out with the band is how they turn out. So I showed Ben the songs and we actually recorded the acoustic guitar and vocals first, and then had the band play to that. I don’t want to say singer/songwritery, because it’s not really, but everyone’s playing more around the song, rather than, with Y-O-U has in the past there’s always been a bombastic beat and the energy drives from the music behind the vocals, whereas with this stuff we’re playing more around the vocals. We’re listening to a lot of [Van Morrison's] Astral Weeks.

 

… Continue Reading

Q&A with Harrison Hudson: Taking Direction and Taking Names

February 13, 2009 Interviews No Comments

BigTroubleFeb19

 

By Julia Reidy

 

Growing up in Atlanta, Harrison Hudson was always into music. From his days in a high school band with three members of Manchester Orchestra, Hudson to his career today in Nashville, Tenn., where he’s found a tuneful community to call home. Now he’s back in Atlanta to record a new album on Manchester’s label, Favorite Gentlemen, to which he’s signed. It’ll be the follow up to last February’s Blood, Sweat and Sweat, which the band gives away for free on their MySpace page (www.myspace.com/harrisonhudson). Working closely with Andy Hull and Robert McDowell (frontman and guitarist in Manchester Orchestra, respectively), the new record, Hudson says, will be unlike anything he’s released before. We tracked him down while he was on vacation to chat about the project and his hopes and fears thereof.

 

Harrison and his bandmates play alongside Taylor Hollingsworth for this month’s free Big Trouble in Little Five Points show at Star Bar February 19.

 

AMG: Can you tell me a little about the new record?

Harrison Hudson: I don’t even know what the studio is going to be called. Favorite Gentlemen just rented out a studio space where their rehearsal space is, and Andy and Robert are going to be working out of the studio. It’ll also be the label’s office and rehearsal space for any of the Favorite Gentlemen artists who need it if we come through town and want to practice before a show, as well as a place for us to demo, or even do records. Andy’s going to be producing and Robert’s going to be engineering, but we’re going to be working on the record together. We already started pre-production last week, and then I’m on vacation this week, and once I come back to Atlanta for the show, I think the next day we’re going to start recording again and picking songs. Right now, we’re just really trying to figure out songs because we’ve got about 50 on the table, plus guitar riffs that might become a cool song. So Andy and I are going to be writing together and Robert and I are going to be writing together, just really trying to figure out what the record’s trying to be. It’s definitely going to be an Atlanta- and label-centered thing. We’re going to try to get as many people that are on Favorite Gentlemen playing on the record as we can.

… Continue Reading

Q&A with The Selmanaires’ Tommy Chung

Selmanaires.tommy

By Julia Reidy

 

With two full-length records and a handful of 7-inch singles under their collective belts,The Selmanaires just keep on churning out great Atlanta music. In the wake of the release of their second LP last year, the foursome is undergoing a bit of a re-thinking before heading into more shows (the first of which is this Saturday, January 31 at The EARL with The Features and Carnivore – get your tickets here) and new releases for the coming year. We snagged bassist Tommy Chung at work to talk about the band’s new direction, their side projects and what exactly “celestial primitive” means.

AMG: You guys released your album The Air Salesmen last year. What are you guys up to now? Are you writing anything new?

 

Chung: Yes, we are. We did the new Rob’s House 7-inch ["Princess Illusionist Frankenstein”/“Beneath The Brights"] a few months ago – that’s out already. We’ve been working on writing a lot of new stuff. We took a little time off because we were all a little bit burnt out, which I think is normal. We’ve been concentrating more on writing than playing shows, but we’re about to start playing shows every month again.

 

AMG: I know a lot of you have side projects. Does it ever interfere with Selmanaires work?

 

Chung: Yes and no. All of us actually have side projects. Jason and Herb [Harris] have a new one together called Dean and Leon, which are their middle names. And of course they also both have their solo stuff, but recently they’ve been doing more together. I think they performed as The Harris Twins for the Stereolab show. It’s really cool, kind of exotic, mostly instrumental stuff. Mathis [Hunter] is in Noot d’ Noot. He’s been really busy with them, so we actually haven’t seen him very much lately, but he’s still playing with us. I play on the side with Adron whenever she’s in town, but she lives in New York, so I’m probably the least busy with side projects.

AMG: So that leads me to what direction you guys are going in now with The Selmanaires.

 

Chung: We’re going in a slightly different direction now. We still have some songs that are kind of dancy, but it’s really funny, all of us have been listening to a lot of Cambodian and Thai and Brazilian psychedelic music, mostly from the ‘60s and ‘70s. We’re not listening to as much rock these days, so a lot of our newer stuff is very Southeast Asian-influenced. We’ve actually come with this new tag for our new sound, and we call it “celestial primitive.” It has this sort of drone-y, celestial sound. Some of it’s not as upbeat, it’s a little more psychedelic.

 

AMG: Will you be debuting your new material live as it gets written?

 

Chung: We were thinking of saving it up, but I think we’re all too antsy. So our next show is actually a week from today with The Features, and we’ll probably debut two of the new songs. We have a show booked at that new club 529 in March [tickets here], and I think that’s probably going to be the debut of a lot of our new stuff. We’ll probably have mostly a new stet by then. We’re also playing Valentine’s Day with Judi Chicago at the Star Bar. We’re all excited about the new direction. I hope it doesn’t turn people off, the people that like our old stuff who like to dance and get crazy. The slower psychedelic stuff is not really as conducive to that.

 

AMG: They’ll probably hang with you.

 

Chung: I hope so! [laughs] 

Judi Chicago Give Us Their Top Dance Floor Hits

JudiChicago

In preparation for the first of their monthly dance parties, we've asked the lads of Judi Chicago – Travis Thatcher and Ben Coleman - to give us their top dance floor fillers, complete with their classic videos (when available) and commentary from the guys.

 
Travis' Choice:
 
A Guy Called Gerald – Voodoo Ray (1988)
"One of the best known early Manchester acid tunes, and one of the
first acid house tunes produced in the UK, "Voodoo Ray" set a lot of
groundwork for the burgeoning acid scene in the UK."
 

 
 
Herbie Hancock – Rockit (1983)
"Not only was this the first hit single to feature scratching, and
inspire tons of turntablists for years to come, Rockit was a seriously
funky electro tune crafted by one of my all time favorite musicians.
Herbie has always embraced the most current technology and found a way
to squeeze the funk out of cold hard machines. Killer video too!"
 

 
 
Newcleus – Jam On It (1984)
"Busting out of the first wave of the electro scene, this tune quickly
became huge and influenced both electro and hip hop in a big way.
Like "Rockit," "Jam On It"'s relentless mechanical beat drives your ass
to the floor, and the funky bass line and rapping keep the Brooklyn
block party feel going.  To put it bluntly, it is my favorite party
tune."
 

 
 
Ben's Choice:
 
Chad JacksonHear The Drummer (Get Wicked) (1990)
"Chad Jackson, UK scratch mix DJ, winner of the DMC World Championships in 1987 and one of the top DJ's from Manchester / Madchester's Hacienda Club splices together Public Enemy, Mark the 45 King, and sundry snippets of James Brown…  How can this fail?  An absolute classic from the Jurassic age of samplers."
 

 
 
AC Slater – Jack Got Jacked (Jack Beats Remix) (2008)
"Of the many big tunes puked forth from the clubs last year, this remix of Slater's excellent original took the tune from Brooklyn to a proper old skool London rave.  WIth '92 synth stabs and UKG bassline wobble, it's a definite favorite for me, and a stand-out track amidst 2008's endless soul-destroying blog pages full of bad Daft Punk imitations and even worse haircuts."
 

 
 
Can – I Want More (1976)
"Can are often cited as the freak-rock band of choice by humorless trendy kids who read Retchfork as gospel and don't dance. However, Can themselves were far from humorless, and actually liked to dance. When disco came along, they recognized it as springing from the same wellspring of hypnotic groove sizzurp that they had been sipping since '68, and seamlessly and shamelessly wrote their own 4/4 disco paean to the gods of dancefloor desire. It's fun!"
 

Judi Chicago's DANCING campaign will take place the fourth Saturday of every month at 529. The first show is this weekend, January 24, with special guests Sealions. Get your tickets here!

JudiChicagoDANCING

Butch Walker chats with Atlanta Music Guide

Butch_2Atlanta’s own Butch Walker has always been one of those rock-stars, who gives it his all. Whether putting on crowd pleasing performances, producing hit radio records for himself and others, or giving to charity, including performances at 2007 and 2008’s 500 Songs for Kids benefit; Walker can be counted on to show up. However last month, Butch Walker fans received some very unfortunate news when the rocker announced the cancellation of his One Man Band tour, except for scheduled Atlanta dates. He admits it was not a decision that came lightly.

“I think it pissed a lot of people off,” says Walker. “But it was either going to be them or me. Canceling the tour was a very hard thing to do, but we did decide to cancel and wait until fall. I’ve always tried to put fans first, and instead of being selfless I had to be selfish. It was tough.”

Like most performers, Walker’s tour was supposed to be based around the release of his new album Sycamore Meadows.

“It’s hard to know if a record is going to go smoothly or not,” says Walker. “I was happy with about half of it and I didn’t want the tour to compromise the record.”

Sycamore Meadows is not just another Butch Walker album; it is the first since a devastating wild fire claimed Walker’s California home like many other Malibu residents last fall. The title of the album is named after the street where Walker’s house was located. Although Walker says he is planning to return to the studio August 1 to put the finishing touches on the album, this is not a project he is approaching lightly.

“The fire took most of the stuff I had been working on for [the new album],” explains Walker. “It’s crazy when a thing like this happens to you. You’re taken back and you look at things differently. I had way too many clothes and things that didn’t matter. Some of it was just stuff, but some was memories, family heirlooms, master recordings, and guitars, including the first one I learned to play on when I was eight. But no one died and no one got hurt.”

It is impossible for such an overwhelming event not to impact one’s life, but Walker has also found changes in his music as well as some new motivation.

“It did make things in my music change. I couldn’t write before the fire. I only had a couple songs, and some actually had fire metaphors in them, which was a strange foretelling. Those songs definitely took on new meaning,” says Walker. “After the fire the flood gates opened up and I starting writing. I no longer felt numb or complacent. It’s just odd, before the fire I had been thinking “is this all there is”. Life had become more about the destination then the journey. I had worked so hard for so long and pretty much got everything I wanted. There were a lot of brutal lessons for me to learn after having it all taken away. It really put me in a precious place for this record.”

That precious place has also found Walker savoring the recording process as well as exercising patience to make sure that Sycamore Meadows is pure quality.

“I was used to banging records out in two weeks and right now I’m really guarding of my songs,” says Walker. “I don’t want them to be judged or taken the wrong way. I’m just being careful.

As Walker continues to finish up Meadows and reschedule this tour for the fall, there are two important dates on his calendar: July 25 and 26, when Walker takes the stage at Center Stage in Atlanta. Atlanta was the only city spared from the tour cancellation. As one of Atlanta’s favorite native sons, Walker understands the impact of his performances in his hometown and greatly appreciates it.

“I couldn’t cancel Atlanta,” Walker says. “I don’t play Atlanta as much as it is.”

Since he has not been rehearsing for a tour, Walker admits that it will be a different pace then some of his past shows.

“I don’t know exactly what I’m doing,” jokes Walker. “There will be some special guests and jamming; it should be a great time.”

Staying true to his appreciation of devoted fans, Walker promises that both nights should be an equal treat for those planning on attending Friday and Saturday.

“I hope [both concerts] are not the same; I’m not usually a creature of habit,” says Walker. “Whether or not I’ll improv the set list or do other things, I’ll have to figure that out. Sometimes shows are more laid out, but I end up changing it more with my mood. I plan on it being more loose. I don’t want to bore people if they don’t know the new stuff. I do guarantee that there will be both new and old stuff and a lot of people coming up and jamming from the past and present. There might be some audience participation too. I might pull some people up from the audience to play with me.”

Walker’s reputation of being the constant showman should not disappoint, when he pays Atlanta a visit. His history for playing with past band members, including the Marvelous 3, and other musicians he has helped produce will have fans guessing who’s going to join him. Although Walker could not confirm any potential stage guests, he did guarantee that some of his “friends” will be there.

“I can pretty much guarantee that there will be people there that I’ve played with for years, some I’ve never played with and some guys who I’ve only played on records,” shares Walker. “[The show] will be a little treat for real fans and good time for first timers.”

Although Walker made his name as a performer and musician, recently he has found additional notoriety as a producer. Having produced hits for Katy Perry, Avril Lavigne, Fall Out Boy, and many others, Walker has the unique opportunity of sharing the spotlight on and off the stage.

“I really like both. I love being on stage as long as it is my own terms. I don’t enjoy it when I have to, or it’s some radio station showcase that doesn’t fit me. But being on stage is the best feeling in the world,” says Walker. “You also can’t beat the feeling of people getting into music making. I also like helping other people make pieces of work they can be proud of. They make songs and they turn out being good for their careers. I love both. The producing though keeps me more grounded.”

Walker’s impressive knowledge of “music making” and his ear for producing a hit was one of the reasons that he original left Atlanta.

“I still live in both [Atlanta and California],” explains Walker. “I could never call California my permanent home. I still have a house and studio in Atlanta, there is just nothing in them right now. I do go back half the year and spend it in Atlanta, always have. California is beautiful and great and horrible, but it is also my livelihood. It’s no different then transferring cities for a job opportunity. I mean my day job is producing records. Atlanta spring boarded my career and I wasn’t too excited about coming out here, but there were too few opportunities for me in Atlanta.”

Atlanta’s unconditional support for Walker and Walker’s love of Atlanta always make his homecoming shows special, and this weekend it should be no different.

“I miss my hometown and I want to make these two nights special,” says Walker. “The first night as much as the second.”

Butch Walker will be performing at Center Stage this weekend, July 25 and 26. Get your tickets now!

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