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Live Review & Q&A: Attention System at the Star Bar, February 4

Review by Stephanie Roman (http://www.stephanieroman.com); photo by: William Buckley

Attention System reminded us that it has been three years since they last appeared at the Star Bar. Since releasing the critically acclaimed debut album Wait for My Signal, the band has quickly become known for putting on the best electro-rock dance show in town. They haven’t performed live in Atlanta since November, and their fans were hungry! … Continue Reading

CD Review: Cloud Nothings — Attack on Memory; Playing The EARL, February 17

February 7, 2012 CD Reviews, Gigs 1 Comment

Cloud Nothings
Attack on Memory
Carpark

By Al Kaufman

Almost every band for the past five years has made the lead of song for their album, if not their best one, at least one that reaches out and grabs, that pulls the listener in. Dylan Baldi, the man behind Cleveland, Ohio’s Cloud Nothings, does just the opposite. “No Future/No Past” is a long, bass-driven droning number that seems to go on for much longer than its four-and-a-half minutes. But that’s sort of the point. On this Steve Albini-produced sophomore record, Baldi wants you to forget all about the Cloud Nothings more simplistic past. This is a new band with a new sound, even if that sound is Weezer on Quaaludes. … Continue Reading

5 GB With Colour Revolt; Playing Vinyl, Thursday Feb. 9th

February 7, 2012 Gigs 1 Comment

Mississippi indie rockers Colour Revolt are darlings in the cool kids world. Having toured with the likes of toured with Dinosaur Jr., Black Lips, Okkervil River, Menomena, Paper Rival, Explosions in the Sky, Malajube, Anathallo, and Manchester Orchestra, they are no strangers to the scene. On February 7th, 2012, the debut Colour Revolt EP will be released on VINYL for the very first time. This special Limited Edition of 1,000 will come on 180-Gram CLEAR 12″ vinyl and will include a download card with the Colour Revolt EP + 2005′s out of print “Makeshift EP”. To celebrate the release, Colour Revolt will play a select number of shows in which they will perform the EP from start to finish (plus other favorites). Joining them on stage tomorrow will be Andy Hull (from Manchester Orchestra) and his side project, Great Captain. Jesse from Colour Revolt joined us as part of our 5GB series before their show Thursday.

What was the first gig you ever went to?

It was a city festival called Jubilee Jam in downtown Jackson, MS. I was 10 or 11 and went with a neighbor of mine. I subsequently crowd surfed for the first time to a band, Collective Soul. It was a bad night for both of us. The lead singer was hit with a water bottle in the face and in what i remember as a British accent for some reason, cursedly promised to never return to Jackson. I was thrown onto some large fellow’s girlfriend a number of times throughout my “surfing” at which point he began to take both of my shoes and throw them in opposite directions. At the end of the night I was walking around sock footed. I found both of my shoes with another friend of mine who claimed he had been struck by both at separate times in the head.

What is the best gig that you ever played/performed at?

Historically for some reason when we play our best, there’s no one there. Literally like the other band(s) and people who work there. That’s it. Either way though, that’s a tough question to nail down because for me, it’s not really about a place or tons of people being there for it to be “the best.” If everyone is connected with the songs and feeling them, I feel great. If for some reason I can’t connect, I’ll feel like it was a horrible show. But bad shows have to be left there too. I’ve seen them turn into bad weeks because we couldn’t get over the first show. Bad shows are just that and have to be learned from. If we can perform the songs now without something going wrong, a lot of shows are the best for us now.

What is the best gig you have ever been to?

I have a Top 5….Sigur Ros – Valentines Day at the Ryman in Nashville 2006. Chad Vangaalen at Proud Larry’s in Oxford, MS 2006. Arcade Fire at House of Blues New Orleans 2005. Tom Waits in Birmingham, AL 2008. Mark Kozelek at some church in Austin 2008. Also Wilco in Meridian, MS in 2007 and Dave Bazan at Murray State in Kentucky in ’02 was pretty great.

Gig you would most like to play?

I’d really like to do a Breeders curated ATP fest. Really though I’d just like to play overseas. We’ve never been so that’s a goal I’d like to accomplish this year for sure.

What would be the lineup for your dream gig?

Well the new coachella line up is pretty dreamy. Honestly, for a long time I said At The Drive In and Refused would be on my dream bill but now that seems cliche. Probably Tom waits, The Breeders and Mark Kozelek at the Tabernacle is pretty close to perfect in my mind. What I think would really be the greatest show (as well as a funny mix of people) would be if Tom Waits, Fiona Apple, Deerhoof and probably Chad Vangaalen all start a band that play at the Tabernacle. That’s my dream.

Catch Colour Revolt tomorrow at Vinyl

What’s Up Tuesday?

February 7, 2012 Gigs No Comments

By Eileen Tilson

Well I am just basically gonna tell you what exactly you need to go see today (not like I don’t do that everyday!). But Tuesdays are for lovers, and there are some pretty amazing shows coming through Atlanta tonight that you should definitely go and see!

-First up! I know I have been harping on Graffiti6 lately, (and trust me they are amazing) but make sure and stay and see headliners, Augustana, who cease to disappoint tonight at Vinyl.

-You just can’t ever go wrong with a New Orleans funk rock band! If you want to be highly entertained while probably losing some calories while boogying, then head over to Smith’s Olde Bar to see Johnny Sketch & the Dirty Notes.

-Over at the 529, you can catch Dirty Hotel Sunshine and Attractive 80′s women making hipster heads bop.

-Everyone needs a little country in their lives. Personally, I try and listen to country for at least an hour…ok maybe a half an hour each day. Get your dose of country tonight at Dixie Tavern where Patrick Scott will be trying to follow in Chicken Fried dreams.

New Shows Announced For The Center Stage Complex

February 6, 2012 Atlanta Music News, Gigs 2 Comments

 

 

 

Just Announced/ New On-Sales

4/6          INCOGNITO feat. Maysa w/ special guest Khari Cabral - Center Stage

Fri           8:00pm | All Ages | $42.50 – 49.50 Reserved Seating  | On Sale Now

Rival Ent. & The Masquerade Present…

5/12        MASTODON & OPETH w/ Ghost – Masquerade Music Park

Sat          7:00pm | All Ages | $29.50 Adv  | On Sale Now

 

*** Andy Grammer (2/25) has moved from Vinyl to THE LOFT

*** Kye Kye, Jude Moses will support John Mark McMillan (4/17, The Loft)

 

THIS WEEK 

2/7          AUGUSTANA w/ Graffiti 6 – Vinyl

Tues       8:00pm | All Ages | $18 Adv - $20

2/9          JORDAN KNIGHT – The Loft

Thurs      8:30pm | All Ages | $35 Adv - $40

2/9          COLOUR REVOLT w/ Right Away, Great Captain! – Vinyl

Thurs      8:00pm | All Ages | $10 Adv - $12

2/10        THE POLYPHONIC SPREE w/ New Fumes – Center Stage

Fri           9:00pm | All Ages | $20

2/10        FOUNTAINS OF WAYNE w/ The District Attorneys – The Loft

Fri           9:00pm | All Ages | $20

2/10        THE EXPLORERS CLUB w/ Sealions, Pls, Androcles the Lion – Vinyl

Fri           9:00pm | 18+ | $7 Adv - $10

2/11        Joyce Littel’s PASSION & POETRY – Center Stage

Sat          8:00pm | All Ages | $35

2/11        GRAHAM KNOX (EP Release of “Echo”) w/ The Whatley, J-Kap – Vinyl

Sat          9:00pm | 18+ | $8 Adv - $10

… Continue Reading

CD Review: Red Wanting Blue — From the Vanishing Point; Playing Smith’s Olde Bar, February 27

February 6, 2012 CD Reviews, Gigs 1 Comment

Red Wanting Blue
From the Vanishing Point
Fanatic Records

By Al Kaufman

Red Wanting Blue plays slick, mainstream pop-rock songs. That could be the whole review right there, but it would leave the layout for this review wanting. It’s like Train or Hootie and the Blowfish, or, to a lesser extent, Counting Crows. It’s that kind of stuff that you know would sound good live, but loses something within the sterile confines of a recording studio. … Continue Reading

CD Review: Amy LaVere – Stranger Me; Playing Smith’s Olde Bar with Rich Robinson, March 2

February 6, 2012 CD Reviews, Gigs 1 Comment

Amy LaVere
Stranger Me
Archer Records

By Al Kaufman

Turbulent times often leads to great art. Such is the case with Amy LaVere. While preparing to make her third album three years ago, her producer and mentor, Jim Dickenson, died of complications from triple bypass surgery. Then her guitarist, Steve Selvidge, left to join The Hold Steady. But what really made things sticky was when she broke up with longtime boyfriend and drummer, Paul Taylor. She missed his studio presence and he ended up agreeing to drum on the album, creating that delicious tension that is evident in other groups with broken relationships, such as Fleetwood Mac and Eurythmics. LaVere also recruited Craig Silvey (who mixed Arcade Fire’s Suburbs) to produce, and multi-weird-instrumentalist Rick Steff (who plays the mellotron, theramin, Buddha box, Vibrachime, and various pianos), left of center guitarist David Cousar, and a slew of horn instrumentalists to create her most richly textured album to date. … Continue Reading

Win Tickets to Romeo Santos at Philips Arena on March 4!

February 6, 2012 Gigs, Giveaways 1 Comment

We have two tickets to give away for Romeo Santos’ upcoming show at Philips Arena on March 4! Check out his bio below, and enter to win at the form at the bottom of the post.

As the principal composer and vocalist of revolutionary New York bachata group Aventura, Romeo Santos became the leading musical voice of young U.S. Hispanics, fronting the top-selling Latin album of 2009 and 2010 and filling arena concerts across the country – including a record-setting sold-out run at Madison Square Garden that sold more tickets than Lady Gaga and Madonna.  With the November 8 release of his highly anticipated solo debut album, Formula Vol. 1, Romeo Santos fused a strong base of bachata with further elements of Urban, Pop and Latin music to create a representative new sound for our evolving bicultural and bilingual world.   Featuring collaborations with special guests such as Lil’ Wayne, Usher, Pitbull, Mario Domm of Camilla, Mala Rodriguez, Tomatito, Anthony Samtos and more, Formula Vol.1 has already produced two back-to-back #1 singles, and a #1 album debut with Latin Music’s strongest first week sales in over four years.  Formula Vol. 1 has now held the #1 position on Billboard’s “Top Latin Albums” chart for five consecutive weeks and has already reached double-platinum sales in the U.S. Hispanic market.

Tickets are on sale HERE now.

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Concert Promoters In The Making! Kennesaw State Students Work As Promoters For Atlanta Artists

February 3, 2012 Atlanta Music News, Gigs No Comments

Over the next three months, student teams from the Joel A. Katz Music and Entertainment Business Program at Kennesaw State, working with Sony Music Nashville and PlayPro Media, a social media start-up that helps artists build fan bases, will be promoting and marketing artists of various music genres. The experience will give the KSU students a chance to learn first-hand the inner workings of the music industry, earning class credit along the way.

“This is a wonderful learning lab for our students,” said Keith Perissi, associate director of the program. “This project will give students hands-on experience in the music and entertainment industry, working with heavyweights such as Sony. They will be doing the job that agents, managers and promoters do. This is about as real as it gets.”

Week after week, the students will be producing video clips, booking the acts at local venues, pitching local and national media, and using social media to launch campaigns. Throughout, they will meet with the artists and post weekly blogs chronicling their progress. On April 11, the 10 artists will perform at Smith’s Olde Bar in Atlanta at an industry mixer, with the top act earning a chance to play for top executives at Sony Music Nashville.

“This is a win-win situation for everybody involved,” said Brad Todd, an entertainment industry executive who founded PlayPro Media. “The artists are getting a consulting team with professionals who have years of experience in the industry.”

Todd explained that this project is the antithesis of the TV singing competition model, as each artist that is selected will not be asked to make any commitment or sign a contract. Sony Music Nashville and PlayPro Media are offering three months of consulting in the areas of production, marketing, booking and management at no cost to the artists.

“We want to see if the synergy is there between the artists and PlayPro before any long-term commitments are discussed,” Todd said. “While we want to work with artists at all stages of their career, we won’t use the fast-track method for the artists that are not ready.”

It all starts with a great song, Todd said, but local artists typically do not have the resources to launch their music careers and get noticed by the big labels. The consulting provided by Sony Music Nashville and PlayPro Media will give them this opportunity. Todd and Duane Hobson, an A&R rep with Sony Music Nashville, are working closely with the students to promote the artists.

“We are doing old school A&R (Artist & Repertoire) with new resources,” Hobson said. “It’s not about trying to reinvent the wheel. We are trying to find local artists using new ways to discover music. We want to get their music heard.”

PlayPro Media has partnered with Education Realty Trust, a national developer and operator of collegiate housing, to help market the artists to local college students living in these facilities. The goal is to get students to sign on as members on PlayPro Media so they can familiarize themselves with the artists and vote for their favorite.

Sony Music Nashville and PlayPro Media selected the 10 artists the students are working with last fall through the A&R Southern Talent Expo, which attracted 62 artists.

The 10 artists that the KSU students are promoting are: Lauren St. Jane & The Dead Westerns; Kurt Thomas; The Whiskey Gentry; Andy Griffen; Mr. Lee; The Armory; A-N-T; Leslie Mack; Amy Gerhartz; and Elgin Nation.

To follow the students’ work with the artists, please go to http://www.facebook.com/KSUMEBUS

Q&A with Adam Schlesinger of Fountains of Wayne; Playing The Loft, February 10

February 3, 2012 Gigs, Interviews 2 Comments

By Al Kaufman

Fountains of Wayne is not your typical success story. The New York-based band came up with the name after driving by a yard art store in Wayne, N.J., then quickly signed with Atlantic Records in 1996. They were subsequently dropped after their first two albums did not sell up to Atlantic’s expectations. After a hiatus, they regrouped and used their own money to put together Welcome Interstate Travelers on S-Curve Records. It spawned the monster hit, “Stacy’s Mom,” which was aided by the video that starred Rachel Hunter in various states of undress. It’s a snarky little tune about an oversexed boy in lust with his girlfriend’s mom. The album earned the band two Grammy nominations in 2003, including (inexplicably), Best New Artist. While subsequent albums have not garnered the same success, the band continues to pen sharp, smart pop songs, including their most recent album, Sky Full of Holes, which offers a more Americana feel. It includes great story songs like “Richie and Ruben,” and sweet ballads, such as “Someone’s Gonna Break Your Heart.”

Adam Schlesinger is the songwriter (with Chris Collingwood) and bassist for Fountains of Wayne. In addition to his work with the band, he writes and plays bass for Ivy and Tinted Windows, (a sort of supergroup consisting of Schlesinger, ex-Smashing Pumpkin James Iha, ex-Cheap Trick drummer Bun E. Carlos, and Hanson’s Taylor Hanson) co-owns the record label Scratchie Records (with Iha and another ex-Pumpkin D’arcy Wretzky) and the recording studio Stratosphere Sound (with Iha and Ivy mate Andy Chase). He penned the disgustingly catchy title track to the Tom Hanks movie That Thing You Do, and, with David Javerbaum, wrote the Steven Colbert and Elvis Costello Christmas carol duet, “There Are Much Worse Things to Believe In,” which was shown on Colbert’s Christmas special. He’s written tons of music for movies and TV, has produced everyone from Verve Pipe to Fastball to They Might Be Giants, and rumor has it that he occasionally sleeps. Atlanta Music Guide caught up with Schlesinger during Fountains of Wayne’s latest tour that comes to Atlanta on Friday, February 10, at The Loft at Center Stage.

It was almost four years between your last album, Traffic and Weather, and Sky Full of Holes. What did you do during that time?

When Fountains of Wayne wasn’t touring, I worked on a bunch of other projects – TV stuff, a Broadway show, and a bunch of other people’s records. I put out a record with Tinted Windows. And I worked on the new Ivy record, All Hours, which also just came out.

Sky Full of Holes has a rootsier, gentler sound than your past albums. Is this the Fountains of Wayne have grown up album?

Actually, this record is probably the closest to what we sounded like when Chris and I first started making music together, when we were around 20 years old. … Continue Reading

AMG Weekend Picks: Edens Edge, Theophilus London, Anvil and More!

February 2, 2012 Gigs 1 Comment

Happy Super Bowl Weekend everyone! Looks like the weekend might be a bit quiet due to everyone revving up their eating and drinking engines for the big game on Sunday, but we still have some killer gigs to take the edge off if you’re not into the whole pigskin thing, with a healthy amount of metal thrown in for good measure. … Continue Reading

5 GB With JEFF The Brotherhood; Playing The Masquerade Tonight, Feb. 1

February 1, 2012 Gigs 1 Comment

By Eileen Tilson/ @tktalt_tn

I know it is a risky thing to  proclaim a “my new favorite” band, but in this case, trust me. JEFF the Brotherhood are two brothers from Nashville, who are helping to shake up the rock scene.  Jake and Jamin Orrall are the sons of successful producer/singer/songwriter Robert Ellis Orrall and grew up surrounded by music. They founded JEFF the Brotherhood in 2001, while still in high school. They started several other bands and side projects, including Be Your Own Pet, which they left to play in JEFF the Brotherhood full-time. . Their first album released nationwide was 2009′s Heavy Days, followed by 2011′s We Are the Champions. JEFF the Brotherhood performed live instrumentation for Insane Clown Posse’s single for Third Man Records, “Leck mich im Arsch”, a rearrangement of a Wolfgang Amadeus Mozart composition produced by Jack White.

Their music is described as containing elements of psychedelic rock, garage rock, punk and pop, and we chatted with Jamin before their show tonight joining The Kills on stage at The Masquerade.

What is the first gig you ever went to?

We went and saw the Rolling Stones when I was like 10 in Nashville. The Rolling Stones are really bad ass, so it made a pretty big impression on me.

What is the best gig that you ever played/performed at?

We played in thus gutted house of friends of ours. It was like a giant fun house. There was like ten foot blow up aliens that we had in the front yard, and everyone was using them to crowd surf, it was awesome.

What is the best gig you have ever been to?

When I saw Levon Helm at the Ryman Auditorium in Nashville.

Gig you would most like to play?

Anywhere in Japan. I just think it would be so awesome. I love Japan.

What would be the lineup for your dream gig?

We would be opening up for Beyonce, Black Sabbath, and Devo. And we would be playing in Joshua Tree. That would be the most perfect show ever.

Catch JEFF the Brotherhood tonight with The Kills at The Masquerade

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