Category CD Reviews

CD Review: Dan Deacon — Bromst

Dan DeaconBromstCarpark Records By Ben Grad It's hard to see Dan Deacon's newest album, Bromst, as anything more than a collection of excellent (but similar) songs. By track four of Bromst, “Snookered,” Dan Deacon has established the pattern he'll use…

CD Review: Alice Peacock — Love Remains

Alice PeacockLove RemainsRocket Science/Adrenaline By Al Kaufman After 2005's introspective and piano-laden Who I Am, Alice Peacock moved to Nashville from Chicago and reinvented herself as a country girl with rock tendencies. There's plenty of twang on Love Remains. And…

CD Review: Alligators — Piggy & Cups

Alligators Piggy & Cups Appplehouse Records By Julia Reidy Washington State quintet Alligators’ name might be misleading. While possessing musical chops as sharp as the namesake reptiles’ teeth, the sounds they create wholly lack the suggested spiny skin and claws.…

CD Review: Venice Is Sinking- AZAR

Venice Is SinkingAZAROne Percent Press By Chris Homer Athens’ Venice Is Sinking gets back to business on their second album AZAR. The record showcases the ambient, orchestral pop sound that Venice Is Sinking has built their reputation on. AZAR features…

CD Review: Maria Taylor — Ladyluck

Maria Taylor LadyLuckNettwerk By Alexandra Edwards There's something about LadyLuck, Maria Taylor's third solo album, that makes you think she's trying to go more mainstream. Maybe it's the cover art: scrubbed up and featuring a close shot of Taylor's face,…

CD Review: Damion Suomi — Self Titled

Damion Suomi Self Titled P is for Panda By Julia Reidy Atlanta art/music/charity label P is for Panda presents its first signed artist’s first full-length release: 38.4 minutes of Damion Suomi’s satisfying, alcohol-soaked tenor crooning over a traditional Americana guitar…