Arcade Fire The Suburbs Merge By Al Kaufman Arcade Fire is the most popular band on the planet right now. They didn’t get there by being subtle. Their wildly popular Neon Bible was their grandiose statement concerning the political climate circa 2006 (hint: they didn’t like it). Funeral, well let’s just say it was rather […]
Ed Harcourt Lustre Piano Wolf Recordings By Scott Roberts “It’s not easy to be happy and get way with it,” sings Ed Harcourt on “Haywired,” the second song on his winning new CD Lustre, but somehow he seems to have found a way to do both. On his fifth full-length release, and the first on […]
By Jim Simpson, photos by Ashlee-Jean Trott Lissy Rosemont came back home on Friday, literally and figuratively. The Atlanta native and current D.C. resident recalled coming to Eddie’s Attic as a child with her father, a local fixture on the Bluegrass scene years ago — and here she was headlining.
Nathan Beaver Universal You Red Eye Gravy By Scott Roberts You have to admire Nathan Beaver’s tenacity. The Atlanta-bred singer/songwriter (now living in Nashville) began recording the follow-up to his 2004 debut CD in 2005 and due to a studio mishap, the 80 percent complete recording was lost. Understandably emotionally distraught and financially strapped, Beaver […]
Marah Life Is a Problem Valley Farm Songs By Al Kaufman Marah like to market themselves as “The Last Rock N’ Roll Band.” While clearly not true, it is easy to see why they would feel that way. Rock music is about attitude (an attitude that may include boasting that you’re the last rock band […]
All Night Prowling Wolves Make It Right The Gospel of Rhythm Recordings (Stickfigure) By Eileen Tilson Atlanta’s own All Night Prowling Wolves make it no secret that what you see is exactly what you get. An ’80s throw-back punk rock band, who like fast guitars, PBR and causing chaos. They even entitled themselves after a […]
The Love Language Libraries Merge Records By Jim Simpson Following his storage-space recorded lo-fi self-titled debut, The Love Language’s Stuart McLamb opens Libraries (on the indie darling Merge Records label) with a forlorn synth-train whistle that swells into glo-fi high drama on “Pedals,” as if Morrissey had just introduced his talented and less maudlin nephew.
By Matthew Smith www.shadowboxerphoto.com/
By Hillery Terenzi
By Matthew Smith (www.shadowboxerphoto.com)
Colour Revolt The Cradle New Fear/Dualtone By Al Kaufman For all intents and purposes, Colour Revolt should no longer be a band. In the last year they lost their recording contract with Fat Possum, then lost their guitarist, bass player and drummer. But Jesse Coppenbarger and Sean Kirkpatrick, (both vocalists, guitarists and keyboardists) soldiered on. […]
Jay Brannan In Living Cover Great Depression Records By Al Kaufman Jan Brannan is not a happy guy. He is a self-described “antisocial misanthrope.” His Christmas song is titled “Christmas Really Sucks.” His record company is called Great Depression Records. He hates dogs, Air Canada, and the Best Buy on 23rd and 6th in Manhattan. […]
By David Courtright I was surprised at first to see Beach Fossils and Here We Go Magic on the same bill: stylistically, they are very far apart. When Beach Fossils’ front man Dustin Payseur introduced them as Brooklyners, the geographical connection made sense. Ah Brooklyn, the slim-panted, neon-imitation-Wayfarer-wearing cradle of Indie civilization!
By Matthew Smith (www.shadowboxerphoto.com)
Wavves King of the Beach Fat Possum By Noel Wurst “She won’t listen…I still feel stupid…I hate my writing…my head just hangs…I hate myself…I still hate my music, misery will you comfort me…I bet you laugh right behind my back…I’m an idiot, I’m a fool…I’m just not fast enough…I’m so lame…my own friends hate my […]
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