Apocalyptica 7th Symphony Jive/Sony Music By Ellen Eldridge As August draws to a close, Apocalyptica announces one of the best releases of 2010, and I can confidently say this having been unable to stop playing the ten tracks on 7th Symphony since receiving the CD. For a band of Finnish cello rockers, Apocalyptica have come […]
Dead Confederate Sugar The Artists Organization (TAO) By Ellen Eldridge From the start of the warping and undulating tones of the guitars, it would be easy to instantly feel lost. For fans who expected some semblance of similarity from the debut Wrecking Ball, prepare to take a turn through the jungle of sound and emotion […]
By David Courtright; photo by Sam Parvin On a line-up of very disparate but talented performers, Athens’s Lera Lynn and Atlanta’s own Young Orchids joined Phoenix’s Miniature Tigers at the Star Community Bar last Friday. It was pouring outside, the water in the street sluicing toward the meeting of the five points, but the crowd […]
Someone Still Loves You Boris Yeltsin Let It Sway Polyvinyl By Lizzie Burnham As a bright, impressionable 19-year-old college sophomore, I was introduced to Someone Still Loves You Boris Yeltsin (SSLYBY). However, let me backtrack a little and give you a bit of insight on how and why they came to play at my school. […]
By Ben Grad
By Jim Simpson Rosanne Cash made a stop at Agnes Scott College in the midst of a whirlwind book tour behind her already critically acclaimed memoir, Composed. (The book entered the New York Times Best Seller list at #20, eight days after publication.)
By Giles Turnbull If you turned up at Drinkshop hoping to hear some dub hardcore Hawaiian, as Lauris Vidal describes his music on his MySpace, or the slightly more laid back, chilled out vibe of the songs actually on said website, then you might have been a little surprised.
Scissor Sisters Night Work Downtown Music/Polydor By Leila Regan-Porter New York City’s Scissor Sisters is one of those bands that is just hugely popular overseas. The group joins the formidable list that includes the likes of The Strokes, White Stripes, The Killers, Kelis and Kings of Leons – all American artists that blew up in […]
Arcade Fire The Suburbs Merge By Al Kaufman Arcade Fire is the most popular band on the planet right now. They didn’t get there by being subtle. Their wildly popular Neon Bible was their grandiose statement concerning the political climate circa 2006 (hint: they didn’t like it). Funeral, well let’s just say it was rather […]
Ed Harcourt Lustre Piano Wolf Recordings By Scott Roberts “It’s not easy to be happy and get way with it,” sings Ed Harcourt on “Haywired,” the second song on his winning new CD Lustre, but somehow he seems to have found a way to do both. On his fifth full-length release, and the first on […]
By Jim Simpson, photos by Ashlee-Jean Trott Lissy Rosemont came back home on Friday, literally and figuratively. The Atlanta native and current D.C. resident recalled coming to Eddie’s Attic as a child with her father, a local fixture on the Bluegrass scene years ago — and here she was headlining.
Nathan Beaver Universal You Red Eye Gravy By Scott Roberts You have to admire Nathan Beaver’s tenacity. The Atlanta-bred singer/songwriter (now living in Nashville) began recording the follow-up to his 2004 debut CD in 2005 and due to a studio mishap, the 80 percent complete recording was lost. Understandably emotionally distraught and financially strapped, Beaver […]
Marah Life Is a Problem Valley Farm Songs By Al Kaufman Marah like to market themselves as “The Last Rock N’ Roll Band.” While clearly not true, it is easy to see why they would feel that way. Rock music is about attitude (an attitude that may include boasting that you’re the last rock band […]
All Night Prowling Wolves Make It Right The Gospel of Rhythm Recordings (Stickfigure) By Eileen Tilson Atlanta’s own All Night Prowling Wolves make it no secret that what you see is exactly what you get. An ’80s throw-back punk rock band, who like fast guitars, PBR and causing chaos. They even entitled themselves after a […]
The Love Language Libraries Merge Records By Jim Simpson Following his storage-space recorded lo-fi self-titled debut, The Love Language’s Stuart McLamb opens Libraries (on the indie darling Merge Records label) with a forlorn synth-train whistle that swells into glo-fi high drama on “Pedals,” as if Morrissey had just introduced his talented and less maudlin nephew.
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