CD Review: Bess Rogers — Travel Back; Playing The EARL, March 4 with Allison Weiss and Jenny Owen Youngs

Bess Rogers Travel Back By Eileen Tilson If I was a betting woman, I would place a stake that Bess Rogers could probably get away with the most heinous of crimes. With her sweet songbird voice flying over her colorful array of tunes, it only takes one listen to understand that Rogers can get a […]

CD Review: The Meeks Family — Thirty One Years of Lullaby; Playing CD Release Party @ Highland Ballroom, March 20

The Meeks Family Thirty One Years of Lullaby By Eileen Tilson From the ashes of Atlanta indie rock band The Close comes singer Brooks Meeks’ latest project, The Meeks Family.  Initially conceived as a country/songwriteresque project, Thirty One Years of Lullaby is more reminiscent of a scene out of Cold Mountain. Released on the newly […]

CD Review: Mathis Hunter — Soft Opening; Playing The EARL with Noot D’Noot and The Selmanaires March 5

Mathis Hunter Soft Opening Shakedown Records By Julia Reidy Mathis Hunter, longtime mainstay of the Atlanta music community, former member of The Selmanaires and one of the founders of psych-funk collective Noot d’Noot, puts forth his first solo effort with Soft Opening. The LP spans 10 tracks and makes good on all of Hunter’s already […]

CD Review: Leroy Powell and the Messengers — Atlantis; playing Peachtree Tavern and Five Spot

CD Review: Leroy Powell and the Messengers — Atlantis; playing Peachtree Tavern and Five Spot

Leroy Powell and the Messengers Atlantis by Al Kaufman Leroy Powell is so entrenched in classic rock that he makes the Black Crowes sound like Hannah Montana. This is tough to believe considering his resume. Powell has worked with the likes of David Allen Coe, Billy Joe Shaver, and Waylon’s son, Shooter Jennings. It seems […]

CD Review: Jenny Owen Youngs — Transmitter Failure; Plays the Earl March 4th

Jenny Owen Youngs Transmitter Failure Nettwerk by Al Kaufman What sets Jenny Owen Youngs apart from the other girls with guitars is her versatility. She can get all potty-mouthed like Liz Phair one second, then snuggle up on your lap and ask you to stroke her hair the next. She’s tough and vulnerable, glib and confessional. […]

CD Review: The Happy Hollows — Spells

CD Review: The Happy Hollows — Spells

The Happy Hollows Spells By Alec Wooden Two tracks into my maiden spin through The Happy Hollows Spells, I wanted to be sure a couple mistakes weren’t made, so I made it a point to remind myself (literally, on paper): “You are not reviewing The Yeah Yeah Yeah’s.” Five minutes later, that was changed to […]

CD Review: Last Chance Runaround — Alter Idem; Playing CD Release Party @ Alcove Gallery, February 27

Last Chance Runaround Alter Idem Turtle’s Pace Records By Leila Regan-Porter First impressions are not everything. A glance at Last Chance Runaround’s record Alter Idem evokes ideas of folksy Celtic rock, which is cemented by the image of Sue Volkert (one half of the LCR duo) with her beautiful harp on the back cover of […]

CD Review: George Winston — Love Will Come: The Music of Vince Guaraldi, Vol 2; Playing Presser Hall at Agnes Scott College

George Winston Love Will Come: The Music of Vince Guaraldi, Vol 2 By Eric Chavez Looking for that little something to calm your nerves and put a smile on your face? Grammy-award winning solo pianist George Winston knows a thing or two about how to tickle the ivories for that effect. The disc, a collection […]

CD Review: Josh Harty — A Long List of Lies; Playing Smith’s Olde Bar, February 17

Josh Harty A Long List of Lies By Eileen Tilson After one listen to North Dakota’s Josh Harty’s A Long List of Lies, it would not be a huge shocker if you confused it with a Sun Records production. Harty’s music has that steady-as-a-train beat that would be on any of Carl Perkin’s playlists. With […]

CD Review: Taylor Moore Band — Taylor Moore & The Bordeaux Brothers EP; Playing Smith’s Olde Bar, February 28

Taylor Moore Band Taylor Moore & The Bordeaux Brothers EP By Sam Parvin Taylor Moore is good at fooling people.  While his sounds are obviously blues-influenced, do not expect the usual three-chord B-Side Blues here.  His guitar skills are reminiscent of a well-seasoned musician; with tricky riffs, tempo changes, and seamless harmonies.  But the kid […]